Commentary 1

On the surface, the main story of Terra reads like a fairly ordinary (?) BL novel. But the entire story is structured as a mythological narrative.

For readers who are interested in how, exactly, Terra is mythological, this commentary will explore the mythological structures underlying the series.

The mythology of Terra is a heroic tale in which several structures overlap: journeys to and from the underworld, myths of death and rebirth, sacred marriage, and chivalric myth.

Shadow, the Judge of the Underworld (*1) and a solitary hero, yearns for Knuckles, the Divine Mother (*2).

Toward this Divine Mother—the object of his devotion—Shadow simultaneously feels a longing for his soul to return home, a yearning for maternal love, religious devotion, romantic longing, and sexual desire.

Though tormented by these feelings, he makes a pilgrimage through sacred places for the Divine Mother and continues to fight for him.

If you simply want to enjoy the story as it is, it is, in other words, a ShadKnux romance.


First, let’s look at Chapter 1.

Angel Island = the sanctuary, the center of the world

Knuckles = the Divine Mother, the guardian, the Earth Mother Goddess

Shadow = a god of the underworld (the Judge), a traveler from a foreign land

The wound = a blood covenant (a rite of passage)

In the story of Terra, Angel Island is a sanctuary and the center of the world—something like Mount Olympus, Takamagahara, or the Garden of Eden.

Into that sanctuary come the drones, foreign intruders that defile it. Shadow destroys them and is injured in place of the Divine Mother.

Knuckles, the guardian of the sanctuary, tends to Shadow’s wounds, gives him food, and gently strokes him.

This scene of care also has a mythological structure.

Tending the wound = a rite of passage

Food = sacred communion

Holding his hand, stroking him = blessing and acceptance

And so Shadow, a visitor from a foreign land, is wounded while protecting the Divine Mother and the sanctuary. He is cared for by the Divine Mother and thereby gains the right to belong within the sanctuary.

Then a major change begins to take place within Shadow.

He becomes aware of the sacred nature of the Divine Mother—or rather, he begins to be “infiltrated” by it.

Shadow does not fully understand the change taking place inside him. Yet he pretends to still be ill so that he can remain there, and he cannot bring himself to stop being stroked.

He tries to observe and record what is happening, but fails—he points a camera at Knuckles, then throws it away. By this point, even Shadow himself no longer understands what is happening to him.

This is the initial stage of devotion.

But he has not chosen to devote himself of his own free will. The sacred has begun to infiltrate him.

Shadow’s feelings are complex.

Religious devotion. Comfort. Dependence. Possessiveness. Sexual desire.

They are all still undifferentiated, mixed together.

That is why even Shadow himself cannot process them.

He cannot understand what is happening within him.

And then there is Sonic.

Sonic is both a trickster and an angel.

From Shadow’s perspective—as the Judge of the Underworld, already being infiltrated by the sacred and beginning to turn into a devotee—Sonic is someone who treats it all as play.

But Sonic already belongs within the sanctuary, and that playful familiarity is natural to him.

From Sonic’s perspective, Shadow is the “outsider who only showed up recently.”

Their different ways of treating and responding to Knuckles’ sacred nature bring them into conflict.

Then the Divine Mother is abducted.

The loss of the Divine Mother.

This marks the beginning of the protagonist’s heroic journey and his battles.

The beginning of the myth.

The Stage 1 boss: Regina.

She represents “distorted motherhood.”

She stands in direct opposition to Knuckles’ sacred nature as the Divine Mother.

The Divine Mother vs. distorted motherhood.

This opposition appears repeatedly throughout the mythology of Terra.

What stands directly against Knuckles’ sacred nature and motherhood?

Motherhood that has become distorted and corrupted.

Knuckles is male, but within the mythology of Terra, he is both the “Divine Mother” and the “Bride.”

What I am depicting here is motherhood embodied in masculinity and in a male god.

The power to accept.

He does not pass judgment.

He does not preach.

He does not reject.

Like the powerful gravity of the sun, he draws the world toward himself, receives it, and simply continues to stand there.

That is Knuckles’ motherhood as the Earth Mother Goddess and the Divine Mother.

(If I were to name a deity whose nature comes close to this sacred quality in Knuckles, it would be Amaterasu Omikami.

Kanoko, the author, is Japanese, so when I think, “I want to write a myth. I want to depict a Divine Mother—a receptive deity possessing both sacredness and motherhood,” I seem to inevitably find myself influenced by the Kojiki.

In terms of divine role or function, Knuckles may bear some resemblance to Ishtar of ancient Mesopotamia, Inanna of Sumer, or Demeter of Greek mythology. But in terms of nature, Amaterasu Omikami feels the closest to me.

Her very existence illuminates the world.

Simply by disappearing, she plunges the world into darkness.)

And so, in order to rescue Knuckles, Shadow travels with Sonic, his brother-knight, into the underworld—Regina’s stronghold.

In some ways, this resembles the stories of Orpheus in Greek mythology and Izanagi in the Kojiki: journeys into the underworld to recover a beloved wife.

And then Shadow rescues Knuckles and makes his vow.

A declaration of himself as a knight who will protect the Divine Mother.

The beginning of his pilgrimage.

But at the same time, he also becomes aware of his own desire.

Chapter 1 is the story of Shadow, the Judge of the Underworld, pledging his loyalty to Knuckles, the Divine Mother, and beginning his pilgrimage of devotion while carrying desire within his heart. (*3)


(*1) On Shadow’s mythological role as the “Judge of the Underworld.”

Shadow’s role here is not that of a “human,” but that of a “god.”

In other words, it is the role of a complete, fully realized being—a higher existence.

Even in Chapter 1, Shadow coldly passes judgment on Sonic for his games: being overly spoiled by Knuckles, dressing Knuckles up in costumes, and so on.

As the Ultimate Life Form, Shadow originally has no need for anyone else.

But after coming into contact with Knuckles’ sacred nature and motherhood, he begins to desire them.

And so he falls from his absolute position as a god of the underworld.

In some ways, this resembles stories in which Hades, god of the underworld, becomes obsessed with Persephone of the world above, or in which the angel Lucifer is transformed by desire.

Shadow, however, does not “fall from grace.”

Nor does he become a sinner.

He becomes humanized—emotions begin to emerge within him.

The perfect Judge, Shadow, is melted by Knuckles’ all-embracing nature, and his heart becomes human.

And so he begins to experience human emotions: religious devotion, dependence, possessiveness, sexual desire, jealousy, and more.

Eventually, all of these converge into “love.”

And then, seeking “salvation,” he begins his pilgrimage.

The mythology of Terra is a story of salvation.

The salvation of the soul.

“The story of Knuckles bringing salvation to Shadow’s lonely soul.”


(*2) On the meaning of “Divine Mother” in the Terra series.

In Christianity, the Holy Mother is a human being who gave birth to God; she is not herself a god.

In the Terra series, however, the term “Divine Mother” is used in an entirely different sense.

Here, it is an accessible way of referring to an “Earth Mother Goddess,” a “deity of motherhood and acceptance,” or a “being who possesses both motherhood and sacredness.”

It is completely different in meaning from the Christian concept of the Holy Mother.

Please keep this distinction in mind.


(*3) On the structure and commentary of this mythological story.

Kanoko, the author, is simply an amateur who happens to like the Kojiki a little.

I am neither a scholar nor a researcher.

None of the commentary on mythology presented on this site is intended to be academic or authoritative.

Please keep that in mind and enjoy the story.